Sarah Watson was born in Rutland in1972. She graduated from
De Montfort University with a First-Class degree in Combined Arts in 1994. After
this she worked for 15 years in the music industry and now focuses on her ar
t. Sarah has displayed her art in a number of exhibitions: ‘The Lakes: Landscape and Abstraction’, ‘Landscape, Abstraction, Life’ and ‘Femmes of the Fen’.
‘Wonky dogs’ is a business that Watson
created when she noticed a lack of animal portraiture commissions for animal
owners and lovers. This is what I’m focusing on for my art work as I am basing
my project on animals. She mostly draws dogs which links to me as I have had a
strong love for dogs my whole life and currently own a dog. I was drawn to her
work as she leans to abstraction and this is a style I’ve never worked in, I
feel like working in this style has pushed my art skills.
This is the main piece I am looking at. I feel it is a good
example of her work. It doesn’t have a title but is done on a4 sized paper. In
this piece and all of her others she uses pen to create a loose outline and
then uses watercolour to add colour to the drawing. Watson aims to capture the
personality of the animal in her drawings and does this by asking for 3 words
that describes the pet e.g. energetic, silly and loving. Watson doesn’t use
just black pain here. She uses different tones of grey and browns which allows
her to create more shadows and highlights. This gives the overall drawing more
contrast. Watson creates more detail in the face of the dog than anywhere else
which draws your eyes straight to the dogs face.
Watson uses watercolour very loosely, it gives the drawings
more life along with how she creates loose pen lines. This drawing in
particular is quite simplistic compared to some of her other drawings like the
one below. I think the negative white space she has used works well and keeps
the drawing from being overcomplicated.
In this second drawing, Watson has used
different marks to create the same look as dog fur. She uses quick strokes with
the brush to create straight, long fur and creates curls and waves to recreate
curly dog fur. She has used darker paint to create shadows and uses negative
space to create highlights which gives the drawing a lot of contrast. This
drawing is less abstract than her last piece and she uses more colour. As well
as the grey tones, she uses a brown colour to create more dimension. Again,
Watson doesn’t just use black paint and instead uses different tones to make it
more lifelike.
Other than ‘Wonky Dogs’ Watson draws
mainly landscapes. She draws them from how she sees them in front of her ‘en
plein air’. She creates the same simple but descriptive marks that she uses in
her dog caricatures. She uses a mixture of oil sticks and pastels. How she
draws them and what colours she uses depends on her mood, which is also
something I do in my work. This drawing in particular is from the lake district
and is titled ‘Towards Home Illgill Head’.
In my work, I have strayed away from dogs as Watson has done
partially. I have started to draw things like zoo animals and birds in Watson’s
style. I think other animals in this style have more life and dimension. In
this duck drawing, Watson has drawn the entire animal unlike her dog
caricatures. To draw your eye to the front of the duck she has used more tone
on the face of it. She has also used more lines at the front of the duck. With
the duck, underwater she has added more detail on the part of the duck out of
the water. She has drawn the head of the duck but it is the last thing your eye
is drawn to. Watson has also used blue and pink colours to create the illusion
of water. She has also used pen to create lines that look like water.
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